Limited Edition Print
11” x 14”
Available - Limited Edition
“Three Trees” is at the southernmost tip of Ocean Point in East Boothbay, Maine. It overlooks several islands off the shore and Ram Island lighthouse just to the South. It is a beautiful spot where, when I was a kid three spruce trees stood out at the point. They have all since been taken by wind and severe weather, but this point will remain “Three Trees” by those of us who remember the spot fondly.
Each print is produced as part of a fixed, limited edition of 100 and is individually signed and numbered by the artist. Once an edition is fully collected, it is permanently closed and not reproduced.
The work is printed on 315 gsm (20 mil) 100% cotton rag, an archival fine art paper selected for its ability to retain tonal depth and subtle variation. The surface has a soft, matte texture with a natural warmth that closely reflects the character of the original watercolor.
Each print is prepared in the studio and presented matted in white with a rigid backing, then enclosed in protective, weather-resistant packaging for shipment.
A certificate of authenticity accompanies every piece, verifying its place within the edition and including a unique identifying number recorded by the artist.
As editions close over time, each print becomes part of a finite body of work held in private collections.
Limited Edition Print
11” x 14”
Available - Limited Edition
“Three Trees” is at the southernmost tip of Ocean Point in East Boothbay, Maine. It overlooks several islands off the shore and Ram Island lighthouse just to the South. It is a beautiful spot where, when I was a kid three spruce trees stood out at the point. They have all since been taken by wind and severe weather, but this point will remain “Three Trees” by those of us who remember the spot fondly.
Each print is produced as part of a fixed, limited edition of 100 and is individually signed and numbered by the artist. Once an edition is fully collected, it is permanently closed and not reproduced.
The work is printed on 315 gsm (20 mil) 100% cotton rag, an archival fine art paper selected for its ability to retain tonal depth and subtle variation. The surface has a soft, matte texture with a natural warmth that closely reflects the character of the original watercolor.
Each print is prepared in the studio and presented matted in white with a rigid backing, then enclosed in protective, weather-resistant packaging for shipment.
A certificate of authenticity accompanies every piece, verifying its place within the edition and including a unique identifying number recorded by the artist.
As editions close over time, each print becomes part of a finite body of work held in private collections.
