Limited Edition Print
16” x 20”
Available - Limited Edition
"Northern Exposure" came out of time spent on the Long Trail in Vermont — a landscape that has a way of reminding you how small and how fortunate you are at the same time.
I felt drawn to push the violets in the sky further than I normally would, to see what they would do against the greens of the meadow below. New England has these wide open moments where the land just opens up and hands you a little perspective. I find myself needing those moments more than I used to.
This painting is my attempt to hold onto one of them — and to pass it along.
Each print is produced as part of a fixed, limited edition of 100 and is individually signed and numbered by the artist. Once an edition is fully collected, it is permanently closed and not reproduced.
The work is printed on Arches Aquarelle Rag 310 — 100% cotton archival paper with a history spanning over 500 years, using Canon Lucia archival pigment inks rated for over 100 years of display life.
Each print is prepared in the studio and presented matted in white with a rigid backing, then enclosed in protective, weather-resistant packaging for shipment.
A certificate of authenticity accompanies every piece, verifying its place within the edition and including a unique identifying number recorded by the artist.
As editions close over time, each print becomes part of a finite body of work held in private collections.
Limited Edition Print
16” x 20”
Available - Limited Edition
"Northern Exposure" came out of time spent on the Long Trail in Vermont — a landscape that has a way of reminding you how small and how fortunate you are at the same time.
I felt drawn to push the violets in the sky further than I normally would, to see what they would do against the greens of the meadow below. New England has these wide open moments where the land just opens up and hands you a little perspective. I find myself needing those moments more than I used to.
This painting is my attempt to hold onto one of them — and to pass it along.
Each print is produced as part of a fixed, limited edition of 100 and is individually signed and numbered by the artist. Once an edition is fully collected, it is permanently closed and not reproduced.
The work is printed on Arches Aquarelle Rag 310 — 100% cotton archival paper with a history spanning over 500 years, using Canon Lucia archival pigment inks rated for over 100 years of display life.
Each print is prepared in the studio and presented matted in white with a rigid backing, then enclosed in protective, weather-resistant packaging for shipment.
A certificate of authenticity accompanies every piece, verifying its place within the edition and including a unique identifying number recorded by the artist.
As editions close over time, each print becomes part of a finite body of work held in private collections.
